Origine du Monde
The Origin of the World may be the starting point for a global history of moral censorship in modern times. In Paris 1866, Gustave Courbet’s painting was hidden from public view right after it had been completed. The work – which displays a woman’s abdomen, genitals, and legs – was seen more as a pornographic object than as a work of art. It was sold and resold many times but remained hidden until its first public exhibition in New York in 1988, when it became world famous. Then in 2011, Facebook censored the work again, this time online, under its “Community Guidelines”. What would happen if our human society could learn to accept the sensual body? What if we acknowledged the body as a precious resource for cultivating sensation, connection, and empathy with each other, with the world and with ourselves?
Origine Du Monde promoOrigine Du Monde promo
Public / Private Parts ou L’Origine du monde is a dance performance and video installation which looks beyond the limiting binaries of public/private and art/pornography. A community of nine embodiment experts from various professional and cultural backgrounds create mindful body practices to awaken the senses. Through live performances and documentary videos, the group of contemporary dancers, sex workers, and sex educators, explore alone and expand together using the essential bodily functions of touch, breath, sound, movement, and imagination. Intimate and innovative, their discoveries reveal new, hopeful interconnections that could benefit us all.
Tour Dates

Images

“Having a naked body there apparently is no longer radical but at the same time there’s still a fight against it.”
Bishop Black

P*rn artist and video performer in Public / Private Parts ou L’Origine du monde

Videos

Press

"It's the end of the FTA 2021. A grandiose and intimate end at the same time thanks to the presentation of the work Public/Private Parts or L'Origine du monde by Gerard X Reyes which questions intimacy, pleasure and sexual limits with respect and kindness. [...] A real favourite which, I hope, will be presented on international stages. Thank you Justin Gionet, Emmanuel Proulx and Gerard X Reyes for sharing these precious moments."
Pat WhiteThomas Bastien, Patwhite.com, 06-13-2021
"By thus reinvesting the tactile and sensual dimension of their corporeality, the performers remind us that touching another person with respect is inevitably an act of reciprocity, and that this equality takes place in a form of sharing that alters the subject who submits to it. [...] The communion which is established between the performers and audience is supported by the musicality of the show: through the captivating rhythm of the soundtrack by Bendik Giske and Devon Bate, but also through the physical rhythm, the performers’ breath, which absorbs us and draws us into an immersive experience and practices to which they devote themselves before our eyes."
Spirale MagazineEtienne Bergeron, Spiralemagazine.com, 06-13-2021
"Sensory masterpiece [...] It is singularly liberating. [...] Brilliantly executed. [...] Surrounded by performers in the flesh and by generous and fascinating virtual performers, Gerard X Reyes offers an undeniably sublime and important show. Liberating and destabilizing, this work offers us a view of ourselves. It takes hold beneath our skin, it settles there and it births life."
JEU Revue de Théâtre

Credits

A Gerard X Reyes production

Co-production and premiere
Festival Transamériques. Montréal, Canada. June 10-12, 2021

Live Performance

Choreographer: Gerard X Reyes | Live Performers (premiere): Gerard X Reyes, Emmanuel Proulx, Justin Gionet | Movement Research Assistant: Andréane Leclerc | Dramaturgical Advice: Guy Cools | Technical Director and Lighting Designer: Karine Gauthier | Music: Bendik Giske | Composition and Sound Design: Devon Bate | Spatialization: Devon Bate, Dominic Jasmin | Props Designer: Jasmine Reimer | Vocal Coach: Ann Dyer | Production Managers: Alice Renucci, Lucie Juneau

Video Installation

Director, Choreographer, Interviewer, Co-editor, Transcriber: Gerard X Reyes | Video Dramaturgical Advice and Editor: Julie Favreau | Co-director: Poppy Sanchez | Video Performers: Bishop Black, Jasko Fide, Mara Morgen, Rebecca Frances, Jorge The Obscene, Gerard X Reyes | Director of Photography: Kevin Klein | Second Camera Operator: Jara Lopez Ballonga | Sound Recordist: Antonio Vilchez Monge | Set Designer: Jasmine Reimer | Assistant Set Designer: Kaitlyn Smeeth | Video Installation, Projection and Programming: Stéphane Gladyszewski | Color Correction: Max Hilsamer | Sound Editor: Devon Bate | Subtitles: T & S Coop | Subtitles Translation (French): Ingrid Vallus | Camera Operator (Interviews): David J. Romero | Production Manager: Elisa Hengen

Communications and Promotion

Branding and Design of website and social media: Vina Goh | Web Designers: Matthew Stingis, Valentin Tsatskin | Community Manager and Translation (Spanish): Julia Sahagún | Translation (French): Tiah Coxon, Alice Renucci | Videographer, Video Editor for social media, Promotional Photographer: Juan David Padilla Vega | Photographer of live performance: Denis Farley

Residencies

Fabrik Potsdam | Tanzfabrik Berlin | Tanzhaus Zürich | Grand Studio Brussels | Espace Marie Chouinard | Par B.L.Eux/Benoît Lachambre | Compagnie Flak/José Navas | Montréal Arts Interculturels | Département de Danse de l'UQAM | Musée d'Art de Joliette

Support

Le Conseil Des Arts Et Des Lettres Du Québec | Canada Council For The Arts | La Société Des Arts Et Des Compositeurs Dramatiques (SACD)

Partners

Goethe Institut Montréal | Théâtre Hector-Charland

International distribution

PLAN B Creative Agency for Performing Arts
PLEASE CONTACT (HAMBURG, GERMANY) - CREATIVE AGENCY FOR PERFORMING ARTS